I've been asked a couple of times about my embroidery, how I do things, any kinds of tips I could offer.
So, I've decided to work on a project, and along the way I'll tell you how I do things, and what options you have to make some simple embroidery have a little more spunk.
I'm not saying that the way I do things is necessarily correct, however, these things work for me, and maybe some of them will work for you too.
I always back my embroidery with a light iron on pelon (interfacing)... I have used both stitch on kind and iron on kind... in a pinch, I'll use a light muslin, and I've even just backed it with another layer of the same fabric (although that makes it quite thick but depending upon what I'm making, it can work okay)...
Why do I do this... because I like the firmness it adds... I feel one layer of fabric is thin if I am using cotton or linen and I just like the strength it adds. It especially keeps stitches like the satin stitch from puckering the fabric when you pull too tight... and even though I don't carry many stitches from one part of the design to another, on occasions like if I am doing small stitches like french knots I may carry the threads in the back from one stitch to the other and having that second layer helps hide the carried threads from showing through the front. I will make note here that the back of your work should look as good as the front, and so carrying your threads on the back is really something you should not do, but small leap overs I feel are acceptable... but that's just me.
One more thing I will mention is that I always use a hoop, I like the feel of holding a hoop and I like to have my fabric drum tight. I have several different sizes of hoops, and I have both round and oval hoops. Some people prefer to embroider without a hoop and that's okay too, I've tried it and I don't like it, so I always use a hoop.
If you have to copy your own pattern to your fabric, there are a few ways to do it... the easiest way is to use a light box. If you don't have a light box, then you can tape your pattern to a window, layer your fabric over it, then trace your pattern. This works okay for smaller patterns, however, if you are doing something with lots of detail or larger in size, you might find this inconvenient... another trick is to use a piece of glass or plexi-glass and prop it between two supports and shine a light from underneath.
When transferring your pattern it is best not to use pencil or pen... pencil and pen marks don't always wash out and pen can sometimes bleed. I use either a transfer pen or a micron pen. Transfer pens come in either thick or thin points, and can either be water soluble or air soluble. I use the water soluble because I don't know how long it will take me to finish an embroidery and I don't want the pen to fade before I finish my stitchery. The other thing about these transfer pens is that you don't want to iron them because your transfer may not be able to be removed. But my all time favourite if my micro pen, I use a .05 in a sepia shade, it is so fine that my stitches will cover it (even if I use only one strand of floss), but it is permanent, so make sure you don't make a mistake when transferring your design. There's also a transfer pen that you mark onto the back of your pattern and then you can place the design right on top of your fabric and iron it... this will transfer your drawn lines to your fabric and is permanent... I find this reminds me of the old fashioned pre-printed embroideries you can buy, but just like those the line ends up quite thick (it kind of melts with the iron and therefore bleeds a little), just like the blue lines on the pre-printed embroideries, and I find these are not normally covered up with your stitching. Finally, you can use transfer paper, it works like graphite paper but comes in a package of 5 colours... with this you place your fabric with a piece of the transfer paper on top and then your pattern on top of that. You draw directly over your pattern which, with the transfer paper underneath, will transfer the design to your fabric.
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| Water soluble (top) permanent micron pen (bottom) |
One thing to remember when you transfer is to draw as "smoothly" as possible, don't use choppy little pencil strokes.. choppy strokes will cause little "blobs" where you start and finish your strokes... so try to use as much of a continuous line as possible, one trick is to look ahead of your pen to where you are going, not to look right at your pen tip.
When I transfer to my fabric I use a few different methods depending upon how I am planning my stitchery. I may use a solid line... this will allow me to just stitch directly over the lines, it acts as a border if I decide to use any kind of "colouring" technique, and also works for applique.
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| Solid drawn lines using Micron pen |
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| Solid drawn lines using water soluble pen (thicker tip) |
Lots of times I will just place dots around the border of what I need to stitch and just play "dot to dot".... with this method I can still just stitch, use it for placement for qppliques or any other technique I wish to use...
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| Dotted outline using Micron pen |
And on other occasions I will use a combination of solid lines and dotted outlines.
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| Both solid and dotted lines using a Micron pen |
Whatever method or tools you use is completely up to you, what works for you, and what gives you the results you are looking for.
In my next post, I hope to give you a few ideas on how to take your embroidery from simple to "pizazz" with just a few simple changes and by using your own imagination... but I'll need a bit of time to show you that cuz in order to show you a few different ways, I have to work on several samples at the same time... see ya in a couple of weeks!
Live, Love & Laugh!
Hugs....Heather






Very informative, Heather. Thanks for sharing your knowledge with us. :o)
ReplyDeleteHello Heather. Good Information. Thanks for sharing. I hope you are enjoying your Summer off. Hugs Judy
ReplyDeleteHi Sis,
ReplyDeleteVery nicely explained your info, I'm sure it will be of good use to many people. You are generous with your time to take the trouble to share your knowledge with others!
Hugs
Theresa
Thanks for sharing this info. It was very helpful and I will have to
ReplyDeletetry one of those micro pens. I received my lovely fat quarters from the giveaway today. What an exciting day for me. Thank you again for the lovely giveaway.
You do such lovely embroidery. I am working on Sun Bonnet Sue for a baby quilt, but am having a problem getting the small fingers to look neat. What is the best way to do this? For the tiny, tiny ones I had used the blanket stitch, but I can't for the slightly bigger hands. I am using a stem stitch for my outline, and two strands of thread. Have a good summer! Cynthia
ReplyDeleteThanks Cynthia... this is just the way I do things and doesn't mean you have to do it this way, but if I were using the outline stitch, and it was on one similar part, ie. your arm/hand, then I would only use one stitch, I wouldn't switch stitches half way through... so, I wouldn't use a buttonhole stitch, I would just do the whole thing in outline stitch if that is what you have been using.... that just my opinion... the one thing to do in order to work with smaller or more fiddlier parts, is to use much smaller stitches in that area and follow the curve around... one trick I have is that when I use my "MagEyes" (a magnifying lens), then I can get really really small stitches... hope that helps... perhaps later I'll show an example of the how I work curves and the difference in my stitch sizes with my MagEyes and without. Hugs.
DeleteThank you all for your comments, I do so love to know I have readers and I do appreciate when someone takes the time to leave me a note... stay tuned on this project, if it works out as planned, there might be something special at the end of it!!! Hugs all!
ReplyDeleteThanks Heather! It makes perfect sense! Live and learn as they say. I don't know if I named the stitch correctly, buttonhole, or blanket stitch, but you probably have an idea of what I mean. I have a bad "habit" of doing my embroidery in the evening, and the light isn't THE best. I did have crafters magnifying glasses at one time, should be around somewhere.....even threading a needle isn't easy when you get past a certain age. Do you ever draw the animals that live around your area? I know there is software for needle work. Some of the magazines from England have gorgeous designs. I hope it isn't too humid for you. Cynthia
ReplyDeleteGlad what I said makes sense :)... I know what you mean about embroidering at night, the light, and age affecting our eyes, LOL! As for drawing, I have a couple pieces started of wildlife, but just don't have the time to get to them, perhaps winter will favour me better in that endeavour! I am not sure what software you are talking about, but I do have software that if I decide to use my artwork, I can turn it in to cross stitch designs... that's another one of the plans I had on my list, to take my art and turn it into cross stitch pieces, hence my purchase of the software, but alas, another project put on the back burner until time allows! Hugs.
DeleteI sure can relate to the "time" element, good thing there is next month or the month after, lol. Between spoiled pets and health problems it is a wonder sometimes I can get anything done. Yes, software for cross stitch pieces is what I meant. Are there certain embroidery stitches that you always do first when doing a project? I know knots tend to disappear if you aren't careful doing them. Do you rinse your thread beforehand? I haven't ever, never had a mishap yet with bleeding colors. Are you still sewing your kids' clothes? I sewed 6 t-shirts in the spring, and a sundress. Made a jellyroll quilt recently, and have started on another one, maybe for a Xmas gift. Cynthia
ReplyDeleteThis helped me understand the different pens for transfers. I've been using the transfer graphite paper though find it smudges sometimes. Lots to think about.
ReplyDeletethanks Heather...the floss arrived in the mail today
ReplyDelete...beautiful colours...I will have lots of fun stitching with them...and thanks for sharing your embroidery and transfer tips...Christine
One embroidery question I don't heard asked, how do you determine what size embroidery hoop to use? Do you use small or large, or do you stick to one size? I learned to embroider when I was a kid without a hoop and did so for years, but now I have been using one. At times I find it awkward reaching different areas of the design. I know you use a hoop, Heather. Thanks! Cynthia
ReplyDeleteHi Cynthia... as for hoop size, I think it is a personal preference to what you feel comfortable with. For myself, I have several different sized hoops, and I also have circular, square, and oval... my sizes range from a small 3 inch to about a 10-12 inch. I use the bigger hoops for larger work and work that might be a bit heavier (both in fabric and design). I just move the hoop around to the areas I am stitching... so, sometimes the hoop will cover other parts of embroidery. For smaller pieces of embroidery I use smaller hoops, like for a small design that might be only an inch big, I will either use my small 3 inch hoop or I will use my oval hoop which I think is probably about 3 x 6 inches... I love that hoop... because it is oval, you can reach the center easily. I have also used my 6 inch hoop on much larger pieces of work but I just move the hoop around to the areas I am working... it doesn't matter if the hoop covers other parts of the design you have already embroidered. Just work with what you feel comfortable with. If you find it awkward to reach different areas, then you need to move your hoop so the part you are working on is more within reach, either that, or use a smaller hoop. Hope that helps.
DeleteThanks Heather! Since I am not too much of a hoop person, but trying....I want my stitches to appear neater. My mom had taught me how to embroider, but really wasn't into embroidery like I am. She did it because her mom taught all of the girls in the family. Not all women enjoy sewing, quilting or embroidery. Cynthia
ReplyDelete